Friday, March 8, 2013
We went out to MONA - the Museum of Old and New Art. The museum is the
brainchild of David Walsh, a mathematician who, word is, made a fortune
using his mathematical skills in "gaming" and thus is giving the
community a chance to view his art collection by establishing MONA.
Whether this is a philanthropic gesture or a tax write off has yet to be
decided, because the issue is being handled by the Australian internal
revenue department.
But it definitely is an interesting museum! http://www.mona.net.au/
And, because this is a private collection, visitors are asked not to post photos of the collection. We are allowed to take photos for person use as in looking at the photo. We are not allowed to take photos and post them on websites (or blogs) - and of course not to duplicate, sell, profit from, etc. such photos.
So these two exterior shots are my photos. The rest of the pictures come from online. Because once someone else posts such photos, they become public domain. And then I get to use them. Cool thing, the law. Anyway.......
For starters - the exterior of MONA is small and made of super shiny metal, so
that it reflects the surroundings in a kind of warped way - almost like a
funhouse mirror, you know? Except that the exterior metal is in
sheets, so it works something like a cross between a kaleidoscope and a
warped mirror.
Next surprise - the museum itself is built into the bedrock. The shiny
metal building is just the entrance and ticket office. Yes, it's like
some spy movie - you enter at the top floor, and take a round elevator
down into the center of the earth. Okay, so it's only three to five
storeys down (basically three storeys, but there are two mezzanines, so
it more accurately is five storeys.........and yes, the interior is as
convoluted as that explanation) - but it feels like you're going into
the center of the earth.
Because you come out of the elevator and the walls are stone. Not
mined/shaped/cut/cemented stone. No. The walls are STONE. The bedrock
stone. The building has been cut into the bedrock, the walls are
gorgeous striated beiges and umbers and siennas, I'm guessing sandstone
but I'll have to wait until my dad sees the photos and he'll ID the
stone for us. So it's like being in a giant square cavern, or maybe a
mine, way way down into the ground. There are some walls that are
obviously cement, and the stone walls do have some metal and cement
reinforcement - but it truly is kind of eerie.
The exhibits - well, as the name says, there are some pieces that are
old art. Egyptian mummies in ornately painted coffins. Fragments of
Egyptian stele. Scarabs. Faience ware. We're talking REALLY old stuff
here.
And then there's the new art. Some totally weird and
in-your-face-confrontational-shock-you pieces that make you wonder if
this is really art, or just garbage. You know the kind of stuff I
mean? Some things were definitely there for shock value, although if we
stood and tried to find some kind of meaning, well, sometimes something
came up. Prejudice. Sexism. Intolerance. Bigotry. Lynching.
Assault. Homophobia. You know, issues like that. After getting over
the shock of mutilated mannequins with fake blood, there usually was
some kind of meaning. But whether this is ART or not is always subject
to debate.
Instead
of grouping the artwork by category, or chronologically the way many
museums do, the art is exhibited by theme. Sometimes the theme is
apparent, like geometric patterns in traditional ethnic and modern art.
Sometimes the theme is more obscure, like the concept of shamanism. (I
thought that was more a take on animistic magic, but, well, that was my
interpretation. Which in some ways might be close to shamanism in some
cultures.) Anyway, in that aspect it was kind of like the Barnes
Collection in Philadelphia, where the pieces are displayed in a
different way than we're used to, and sometimes we don't really
understand the logic behind the exhibit. Again, it takes some getting
used to, and I think it's designed to make the observer think.
Another
"different" aspect of MONA is that the art doesn't have labels. You
can choose to experience the art without any information. Or you can
carry around an O-phone (or O-pod) - sort of like an i-phone or iPod,
with headphones - you click on the letter O at the bottom and it picks
up nearby exhibits, so everyone can read on the device - all the usual
label stuff, plus background information or explanations, sometimes
narrative by either the artist or the curator, stuff like that. It
actually provided more information than the usual exhibit descriptions
and labels for artwork. On the other hand, it was really funny to see
some of the older people trying to figure out how to use this little
technological device, because they had zero clue how to make it work.
I'll admit, there was a bit of a learning curve (since I've never owned
an iPhone or iPod Touch) - but it was a handy way of getting info about
an exhibit. AND you could either Like or Hate a piece of art, or an
exhibit as a whole - just a + for Like, or x for Hate - very Facebooky,
if you ask me, but still kind of cool. And then you get statistics -
what percentage or number of other visitors liked or hated the same
piece of art. So, depending on how you like the whole +x thing, you
might enjoy that. Or not. But that +x became almost the logo for
MONA, and until you experience the O-pod, you really have no clue about
it.
So,
things I liked: there was a large cement truck made out of ornate
metal grillwork outside, all nicely rusted, looking like a cement truck
from the Victorian era when the houses had the lovely ornamental metal
lace or wood gingerbread. It was intriguing, to see this huge truck
that was both macho male TRUCK and also delicate filigree feminine -
sort of a yin and yang truck.
Inside, there was an interactive exhibit - there were handles to hold,
and somehow the handles picked up each person's pulse and transferred it
to a large overhead light bulb, the bulb flashing out the pulse. Then,
when another person came up to the handles, the previous person's pulse
would move forward to another light bulb, and the other person's pulse
would light up the bulb - so that there would be a progression of
people's pulses beating in flashing light. The light bulbs created a
line overhead and then went into a room full of flashing bulbs, each
with its own rhythm, flashing out someone's pulse. VERY cool!!!! And I
have zero idea how this was executed by the artist (with obvious
scientific skills)!!!!
One of the favorite
exhibits was a fountain - only it was more like a shower than a
fountain, because the water came down in almost a curtain. But instead
of being constant water, the water came out in words - seriously, the
words were almost like bullet points of current events and headline
news. There was a long mechanism that shot out water, and was somehow
programmed to create words by different lengths and speeds of water -
and this was one of the most fascinating exhibits!!! It was
mesmerizing, and there were people sitting or standing and watching -
seriously, it was amazing!!! We could also watch it from upper levels,
so that we could see the words coming out and falling down to the drain -
and of course, at a certain point, the pieces of the letters merged and
just became long drips of water. But so cool!!!!! The walls in back
of the fountain were the bare rock, and the water letters were lit from
all angles so they were very silvery when they came dropping out,
looking almost like liquid silver! I think this was probably one of the
absolute best things at MONA, and I could have watched it for hours.
The exhibit that
made me come out smiling and laughing was just, well, odd and funny.
The artist asked about 30 self-professed Madonna fans (fans of the
singer Madonna, not the concept of Mary Madonna fans) to sing, a
capella, and be videotaped. The exhibit showed these 30 people, each
filmed separately, but now singing in unison - and all of the Madonna
songs of one particular album. (I don't know which - the songs I
watched were "Over the Borderline" and "Like a Virgin," so I know some
of you know which album this would be.) So - most of the singers were
off-key. And of course trying to be totally dramatic and following all
of Madonna's moves. Including the construction worker dude, wearing a
safety vest, but changing into various gloves and scarves and props. Or
the young man with so much make up that he looked like a parody of a
farce of a drag queen. Or the earnest young women singing with their
eyes closed. Or, my personal favorite, the young woman wearing white
fairy wings and a feather crown. But somehow, all those off-key voices,
the flat notes and sharp notes, mostly blended together and sounded
okay. One young woman was actually quite good, and when she did a
little embellishing you could hear that she was in tune. But the whole
thing was just funny and happy and the people were having a great time -
and that was sort of the point of the whole exhibit - that a celebrity
is only a celebrity by virtue of having fans, a following, and that pop
culture is actually the interaction between the celebrity and the fans.
It was just FUN!
Okay, one more description, so you can get an idea of the bizarreness of
some of the "art" - someone created an artificial digestion machine.
Yup, this was a series of hanging glass amphoras, which pipes and tubes
connecting them, where food was processed and "digested" and came out,
at the end, as what we know as the end product of digestion. And while
the repeating glass shapes and pipes and tubes made an aesthetically
pleasing pattern, the smell was, well, what we know as the end product
of digestion. So imagine a group of people trying to look objectively
at this strange contraption, while all the while it smells like a
sewer. Uh huh. That was the "art." (I personally would have added a
second contraption that would be the mom or teacher machine, who constantly sprayed
room freshener. But that's just me.)
It was a fun day -
MONA overlooks some inlet, the setting and grounds are beautiful, there
are a variety of cafés as well as a posh restaurant, and you can also
sit outside and have a picnic. It's a lovely place, and worth making a
whole day trip. We drove, but there's also an optional ferry or coach
from downtown Hobart.
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